Kameleon

And then there’s his daughter, too.
She is white.

Because of her, the world sees him differently. In the schoolyard. At the playground. On the street. Doors are opening that he didn’t even know were closed. Not because he has changed, but because the way others check him has changed. His daughter’s whiteness shines upon him af.

But his daughter brings him back down to earth:
"Dad, you're not white—you're brown."

In KAMELEON Sadettin Kırmızıyüz desperately tries not to create a show about identity. But the harder he tries, the more the subject imposes itself. Fortunately, that leads to a lot of confusion. That’s exactly where the fun begins. With humor and insight, Sadettin shows how we all change colors—often without even realizing it. But then, what’s the right color?

Sadettin: “I’m really looking forward to working with Jetse Batelaan; ever since our previous collaboration (when we adapted *Kruistocht in Spijkerbroek*), I’ve secretly always dreamed of creating something new with him. I can’t imagine a better director than Jetse to KAMELEON create an unforgettable, joyful, zany, and moving evening of theater! I can’t wait!”

• Excluding consumption