Het Zuidelijk Toneel - I Like Art and Art Likes Me
Sofie Knijff

I Like Art and Art Likes Me

Het Zuidelijk Toneel
stroom
Thu 19 Nov '26 20:30 - 22:50
What if Hitler and Beuys had met?
Thu 19 Nov '26
20:30 - 22:50
  • Thu 19 Nov '26
    20:30 - 22:50
    Philipszaal

What if art could have changed the course of history? In I Like Art and Art Likes Me, two radical ideas about art and power collide in a fictional encounter that chafes, stimulates and challenges. A theatrical thought experiment in which art leaves its safe position.

Why those two! Because maybe art can save the world after all... Joseph Beuys created a furor in the arts after the Second World War. He believed that every person was an artist and could change the world with art. That is why he wanted everyone admitted to his classes at the art academy.

Would Adolf Hitler, an aspiring painter twice rejected from art school, have become a dictator? As Nazi leader, Hitler pushed hard for art as a propaganda tool and labeled all art that did not propagate the Nazi ideal as "degenerate. In addition to being an artist, Beuys was also a political activist and co-founded the German Greens. In I Like Art and Art Likes Me , art is pulled from its safe reserve and used to wage an ideological war.

Silke van Kamp has a soft spot for rewriting stories. Last year, she caused a sensation with F*CK LOLITA (winner of the 2026 Toneelschijf Prize), for which Annet Bremen rewrote the story of Nabokov’s iconic heroine Lolita based on Silke’s idea. Now she’s staging a fictional encounter that could have changed the course of history—if it had actually taken place!

  • With discussion after the performance

Part of

Credits

Direction and Concept: Silke van Kamp; Text: Jip Vuik & Willem de Wolf in collaboration with Silke van Kamp; Cast: Louis van der Waal, Julia Ghysels; Dramaturgy: Babette Kalker; Costume Design: Daphne de Winkel; Costumes: Marieke Hendriks, Robin Kersten, Hendrik Nieuwerf Lighting Design and Technology by Arco Middendorp Lighting and Set Design Consultation by Scott Robin Jun Photography by Sofie Knijff Special thanks to Joachim Robbrecht, Michiel Bijmans, Joseph Beuys Archiv-Museum Schloss Moyland, Louwrien Wijers

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